Sunday, March 2, 2014

Beyond the Tartan: Carrie Metheny






Gallery 205 is best seen by one’s self or with a small group or two or three in the room. It is a small space meant to exhibit art and that’s it. This room is placed between a main hallway and an office space. While walking though Porterfield a view would miss it and enter a much larger lecture room. This gallery is perfect for small shows and intimate viewings of an artist’s work.
Carrie Metheny’s work was breathtaking. Her melt working skills were something to admire. Her concept of a women being a part of nature was truly seen though her work. As one finds their way in to the gallery they greeted by the main sculpture of the show. Along the wall were a small army of strong sculptures. The only problem was that the torso were placed a little higher than average eye level. This caused the view to gaze upward to the art work. This is fine for larger galleries were there are many people looking at the art work in a large space; but in this smaller gallery it would have been more appealing to keep it at eye level and just wait your turn to see the beautiful works.
As the audience traveled around the small gallery they had to be mined full of the beautifully sculpted coffee table. It made it very hard to back up to see the torsos on the walls around it. Passing very carefully by the table and torsos the view comes to a wall that is parallel to the opposite with the main show piece. This is two bicycles built totally by the Metheny herself. Above the bikes is a mathematical drawing she had to do before making the bikes. This was a gorgeous background for her works because it had no words and remained very simple. It keep the views thought on the bikes but reminded them that it took a lot of planning. Below the bikes, almost like a velvet rope to keep the viewers at a distance, were the wooden models that Matheny hand whittled. I later learned that these were how the tubes were made for the bikes basic frame.  
On the opposite wall from the torsos are simple photographs of pass work by Matheny. These were works that had been some of her favorite but had been sold. It was simple and plain, this part of the gallery could have been easily missed.  Again the coffee table was a beautiful nuisance that had made it hard to back up and see all the photos as a whole.
At the end of the gallery next to the door, was a little display. The display had multi-levels of works. A photo, a ring and a small sculpture. This was aesthetically pleasing, the multi-levels balanced nicely with the multi-mediums. This display showed the artist current works and a glimpse in to the working world of her employment. Over all the exhibit was very nice: beautiful work and a different medium. I look forward to seeing Carrie Matheny’s next exhibit in the future, hopefully in a larger and more open room